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Features
Southern Exposure
Returning to her roots in Mexico at 18, Anita Brenner posed for photographer Edward Weston's 1925 abstract masterpiece, Pear-Shaped Nude. So began her dazzling career as a literary bridge between Mexican culture—including the art of friends such as Weston, Tina Modotti, Diego Rivera, and Frida Kahlo—and the U.S. While new books and exhibitions mark a growing interest in Anita's Mexico City circle, MARIE BRENNER excavates the legacy of her enigmatic aunt
Features
Southern Exposure
Returning to her roots in Mexico at 18, Anita Brenner posed for photographer Edward Weston's 1925 abstract masterpiece, Pear-Shaped Nude. So began her dazzling career as a literary bridge between Mexican culture—including the art of friends such as Weston, Tina Modotti, Diego Rivera, and Frida Kahlo—and the U.S. While new books and exhibitions mark a growing interest in Anita's Mexico City circle, MARIE BRENNER excavates the legacy of her enigmatic aunt
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